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WHICH WILL YOU GO FOR?

When it comes to heeding your spirit’s call, you can listen and move slowly and gracefully towards it, or you can bury it down deep and hope it’ll give way to some other thing.  In the case of many creative minds, we often hope that gut calling will yield something society labels more “practical” or “financially secure.”

You are who you are. And if you were designed for a designing life, you really must go for it or suffer greatly throughout the course of your life.  You can opt as some do, for chasing something your peers or family labels “safer” for you — but you’ll only be strangling the ebb and flow of your true nature — and that’s a certain route to self-sabotage and unhappiness.

Nick Drake’s “Which Will” is one of my favorite songs.  In it, I’m guessing he’s singing to a lover, but I like to think maybe he’s singing to his higher self and asking if he will take himself as he was meant to be.  If you know Drake’s story, you’ll get the poignancy of it all.

Self love is the highest form of love there is, and from it, all other forms of love flow.  So today and for your future - which calling will you choose?

Find more artists like Nick Drake at Myspace Music

WHICH WILL by Nick Drake

Which will you go for
Which will you love
Which will you choose from
From the stars above
Which will you answer
Which will you call
Which will you take for
For your one and all
And tell me now

Which will you love the best.

Which do you dance for
Which makes you shine
Which will you choose now
If you won’t choose mine
Which will you hope for
Which can it be
Which will you take now
If you won’t take me
And tell me now
Which will you love the best.

DOES YOUR ARCHITECTURE SUPPORT YOUR ART?

Notre Dame with flying buttress

I’ve been working on this post awhile, not able, it seems to get it totally “right.” But in the spirit of moving through my need to get it right and be content with “OK,” I’m going to wrap it up and hit publish today.  So here goes, with all my love heading into 2011.

Everyone has dreams and ambitions they want to actualize. And if you’re like most people, you spend alot of time looking ahead, trying to visualize what the ephemera will look like once it takes physical form. But how often do we look down - look beneath our dreams - to see what we have in place holding them up?

This “looking under” is a wise and self-sustaining move for your art, because without the right kind of foundation beneath your ideas, you can’t build something that will soar to the heights you want, or last far into the future.

Take a moment and reflect on the emotional “foundations” you have in place to undergird your film, or music or dance or sculpture or book.  What are you doing to strengthen your core platform?  Are you cultivating your presence of mind through mindfulness or some kind of meditation practice?  And as importantly, who are the few select individuals you have integrated into your life as support pillars?

If you see a few gaps, you’re not alone.  Too many of us move through our creative lives thinking our dreams need to be self-supporting.  But with that kind of mindset, you will only reach as high as you can standing on your tiptoes.  To really take your art to the next level, you need a tribe - a team - a ladder - that lifts and supports us as we work and build.

Check in with your internal compass — the gut mechanism that knows you are pointing creatively at True North.  As you envision this, who comes to mind as your traveling companions?  Who are the people you have brought along for the journey - the ones who will help you stay the course as you strive to externalize your ideas?

A few weeks ago I had a serendipitous encounter with a metaphor for this critical support system.  And it came in an article about the great Gothic Cathedrals of the 12th-16th centuries.

Until the Gothic era, churches were dreary, dark places supported by huge columns and built with thick walls and tiny windows. But early architects dreamed of constructing houses of worship with soaring walls that reached to the heavens. They knew that if they could open up the interior of the buildings and incorporate expanses of beautiful stained glass, they would transform the spiritual experience of parishioners within the church. So they began developing a framework of intersecting, pointed arch ribs that could support thin stone panels.  This design opened up the interior and allowed more light into the structure. But as the walls grew higher, the structure couldn’t support itself; and eventually the arches and walls would buckle and collapse under the weight of the roof. That is, until someone invented the revolutionary system of support called the flying buttress.

A flying buttress is a free-standing buttress attached to the main structure by an arch or half-arch. No one knows exactly who devised the flying buttress - but its job was irreplaceable.  This simple addition to the architectural mix prevented the outward collapse of the arches, and by extension, the collapse of the entire structure.

My point with the metaphor is this - without the right support pieces in place, you won’t be able to accomplish that which you design to build.

Our dreams and our art need support - call it a flying buttress, a “believing mirror” - whatever (or whoever) it is that adds that critical layer of titanium-strong belief under you and your ideas.  As you plan for 2011, remember to consciously decide who you will invite into your framework.  Be judicious, too, about choosing only those exceptional and unique people who can happily and positively extend an arm (and heart and brain) of support to your art and dreams.

I’m taking a look too.  Do I need some new architectural elements, or am I poised to build it and soar?

I’m also going to think about who I’m supporting and how. Is my support strong and focused?  Am I doing all I can to help these partners soar to new heights?   I think you grow through these kinds of examinations.  You attract that which you seek. If you need more or different kinds of support, perhaps you need to give more or different types of support.

You draw a blueprint, you adjust, you expand, you connect, you support and through it all, you will inspire.

Much love,

Deb

CONNECTING OUTSIDE THE THEATER WITH YOUR FILM’S AUDIENCE

To my filmmaker friends - this is a quick post on the value and necessity of connecting strategically with the core audiences for your film.  And a brief look at how one film, “Beyond the Mat” from Catch 22 Entertainment identified and tapped the passions of its audience to help build momentum and awareness for their film.

Currently slated for a 2011 theatrical release, Beyond The Mat chronicles protagonist Aaron’s journey as he not only confronts issues regarding identity and coming-of-age, but also grapples with the meaning of friendship and relationships.

The film got a great start by being chosen out of thousands of scripts in 2007 to be an official selection at the Tribeca Film Festival All Access Program. But what really helped continue the momentum was how the marketing and distribution team used grassroots “relational” strategies to connect the film with its core audiences. Among many strategies, they:

  • solicited and got “official endorsements” from USA Wrestling and National High School Coaches Association
  • obtained and used a list of wrestling clubs nationwide and used those to tap audience excitement about the film
  • ran free limited-time movie screening on myspace
  • built and fed Facebook and Twitter feeds to encourage conversation
  • cultivated press interviews with key media like ESPN for filmmakers
  • most recently, launched (and announced via press release) a bi-weekly membership publication with exclusive fitness tips from professional wrestler and film star Kurt Angle, Olympic Gold Medalist, Hall of Famer and now - healthy food entrepreneur
  • the newsletter includes contribution of a regular column on high school wrestling news from the National High School Coaches Association (NHSCA), a not-for-profit service organization providing support and leadership programs for high school coaches and athletes nationwide.
  • So do take the time (and if you need help here, go find it) to think about how you might partner with related organizations or people or fans of your film’s content and storyline. But remember it all starts with identifying, describing and learning as much as you can about those key, passionate audiences for your work.

    For another set of valuable outreach links and audience-finding tools, see this post over at Cinema Tech from indie producer and editor Joel Heller’s discussion at Distribution U in LA - the brainchild marketing conference of distribution strategist Peter Broderick and author Scott Kirsner, who wrote the terrific book “Fans, Friends and Followers.”

    By the way, I learned of this film via a Google Alert I have set up for the keywords “film+marketing+distribution.”  So when Google picks up those keywords in a news piece, blog, image, etc., I get the news delivered straight to my inbox, or you can get it as an RSS feed.  Highly recommend you do the same using keywords that relate not just to film and/or marketing, but to the content of your film, whatever its subject may be.

    All best,

    Deb

    LETTING GO OF FEAR

    I just joined a blogging project called #Reverb10 - an annual event and online initiative to reflect on your year and manifest what’s next.  I’m hoping to use December as an opportunity to reflect on what’s happened, and to send out reverberations for the year ahead.

    Today’s prompt: Let Go. What (or whom) did you let go of this year? Why?

    This year I let go of fear.  Let go of FEAR in all its myriad disguises that everyone is judging my stuff. My stuff won’t be good. I’m not good enough to succeed at what I love. W hat I love doing needs to be attached to money. The money won’t come because I’m not zeroed in on some one thing. The one thing is the wrong thing. The wrong thing won’t bring sufficient depth and meaning to me. The me the world sees is some jumbled, confused woman. The woman I am isn’t living up to her potential. Potential projects and work and creative ouput has to be perfect.

    And then as I write all that I know fear IS something I’ve left behind, because what I really believe with all my heart and soul is that. Everyone is in it together working together on their stuff. What I take for granted is a gift I love sharing. Good enough is good enough. I’ll never live to make money solely for its own sake. I don’t “do” one thing - I do alot of things - it’s called curiosity and it’s amazing. Living and chasing multiple passions is an asset not a liability. I find depth and meaning from the endless mining of culture, people and ideas. “jumbled and confused” is living an examined life - and I love it. Potential is about trying and showing up and collaborating and loving your own skin.  Perfect is irrelevant.  Looking or hearing the world through a pane of perfect glass is nothing compared to what you see or hear or make when the glass is rippled, or stained with shards of color.

    It’s when the light shines through you that those shards take on their most beautiful dimensions.

    WHAT TO LOSE, WHAT TO CHOOSE: ADVICE I WISH I’D GOTTEN

    In June of 1993, one of my favorite special events occurred: our second son, Evan came into the world, and the world would never look, sound or feel the same.  In the rear view, I see all the early seeds of the creative renegade he has become: strongwilled, outrageously confident, a nostalgic softie beneath a thin layer of armor; and razor-sharp intellect with a propensity for dishing out radically honest advice. Oh, and brutally funny.

    Fast forward to 2010 and the no-longer-little man is wrapping up high school and gearing up for the next big chapter -  pursuing a life in entertainment management and some other to-be-determined entrepreneurial projects.

    As part of the sendoff, I am readying a bit of advice for Ev, as I did when his brother Peter hit the road for Boston and Berklee College of Music. For Pete, I wrote the “90 Things I’ve Learned on the Path to Creativity.”  But for Evan, I’m hoping you might help me out by contributing your own words of wisdom.

    Most of you here work or play in some kind of creative environment. You are writers, filmmakers, graphic designers, musicians, artists, dancers, publicists, fashion designers, producers, architects…But whatever you do, I would love to hear the advice that you wish you had gotten “back in the day.”

    Mine might be along the lines of wiping out perfectionism (I’m only now realizing what a paralytic that’s been to me). Or about losing self-consciousness by being true to your own unique voice….What about you?

    What advice would you give your former self — looking back from what you now know? What would you add or lose from your thinking?  Who would you seek out?  What do you wish you had known then, or let go of, or added into your life?

    If you’d like to participate, and I really hope you will, please send me an email with your words of wisdom to dtwalsh2@cox.net.  Or leave me your thoughts in the comments below.  If you email, be sure to put “What to Lose, What to Choose” in the subject header.

    If all goes according to plan, I’ll have things assembled by New Year’s, and produced into some kind of media for his graduation gift.  I’ll also create a piece you all can enjoy and share and learn from.

    Hope to hear from you all soon.

    With Much Love,

    Deb

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